Maskandi, the Zulu folk music rooted in rural storytelling, remains a central voice in South Africa’s music culture.
Born as a form of social commentary, it has shaped sounds from Afro-pop to contemporary hip hop.
Musicians today carry it forward by blending traditional guitar riffs, poetic lyrics and modern production, keeping the genre alive for new audiences.
At this year’s South African Music Awards (Samas), Khuzani and the group Imithente are nominated for the Best Maskandi Album alongside Umafikizolo, Phuzekhemisi and Ntencane.
They spoke about the tradition they represent.
Khuzani said, “Maskandi is more than music, it is history, storytelling and identity carried through melody and rhythm. I keep isiZulu language, cultural idioms and indigenous instruments at the heart of my sound.”
“At the same time, I take Maskandi into new spaces, from big stages and festivals to digital platforms, so younger generations inherit the genre and feel proud of it as a living global expression of who we are.”
He added, “Being rooted in Maskandi has shaped me as an artist and as a person. It taught me discipline, respect for culture and the power of music to speak to people’s experiences. Recognition on this platform is not only about me, it is about every Maskandi pioneer whose footsteps I follow.”
Imithente, a group that has been performing for nearly three decades, shared a similar commitment. “We have contributed by making original music and singing about things that build people, young and old,” they said.
“Each year, we teach children the roots of Maskandi and show them how to write songs. First, they must understand the culture and become part of it to carry it forward.”
The group described their nomination as an honour, especially after the recent passing of their founder, Dumisile Manana Mthalane.
“Winning this award will give us strength to move forward,” they said.
“Maskandi is challenging because there is always something new happening. Followers notice immediately if you lose your sound, and it is not easy to come back. We stay rooted while still doing new things.”
They remain focused on themes central to the tradition.
“We sing about courtship, how a woman should behave in the community, how virgins should carry themselves and we guide young boys on the respect they should give to elders and to women. We also sing about our style and confidence as the Bhinca Nation.”
